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Eastbrookend Paintings (Nov 2008)

25 August 2009

Eastminster Shool of Riding



Posted by Plein-air-Den at 11:37 No comments:
Labels: I have been wanting to paint this view for a long while.

12 March 2009

Winter scene, Eastbrookend


Posted by Plein-air-Den at 14:58 No comments:
Labels: My 6x12" format, quiet Sunday morning

Winter trees, Bardag Lake, Eastbrookend


Posted by Plein-air-Den at 14:56 No comments:
Labels: A few fishermen around but only one painter

01 January 2009

Twin bole oak, autumn


Posted by Plein-air-Den at 03:56 No comments:
Labels: Another of my favourite oak trees

Oak in late autumn


Posted by Plein-air-Den at 03:54 No comments:
Labels: One of my favourite oak trees.Drawn and painted many times

05 December 2008

Woodland walkway (Black Poplar Wood)


Posted by Plein-air-Den at 08:17 No comments:
Labels: Another Black Poplar Wood pochade.

Oak Trees in Black Poplar Wood


Posted by Plein-air-Den at 08:10 No comments:
Labels: Still lots of colour about before it got rain soaked

13 November 2008

Hooks Hall Pond II


Posted by Plein-air-Den at 07:06 No comments:
Labels: The cloud forms and the golden reeds made the day

The River Rom in full colour


Posted by Plein-air-Den at 07:01 4 comments:
Labels: Done during my river phase a little while back. 10"x12" in acrylic on canvas.

Getting on for winter


Posted by Plein-air-Den at 06:47 No comments:
Labels: in oil, Painted from the 'Mound' one Sunday morning.8"x10" on board
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Blog Archive

  • ▼  2009 (5)
    • ▼  August (1)
      • Eastminster Shool of Riding
    • ►  March (2)
    • ►  January (2)
  • ►  2008 (22)
    • ►  December (2)
    • ►  November (20)

About Me

Plein-air-Den
Plein-air-Den is an 'en plein air' and 'en studio' painter who likes to share his work with all the people local to the sites where he most often paints and maybe other art-lovers. The PLEIN AIR paintings shown here are painted in oils, approximately 8" x 10" sometimes smaller, painted on site, at one sitting of usually less than two hours duration depending on complexity. This requirement is largely due to the changing nature of the light on the landscape. In a short while the light (sun) can move enough to make a considerable change in the shape of the lights and darks in the scene before you. I try to mainly paint in either the morning or afternoon. The STUDIO PAINTINGS, are in oils and acrylics, can take many hours to complete, but at least the light stays consistent. PLEASE NOTE You can email comments or questions to denis.naylor@sky.com
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